Week 12 – Technical: Macro
Life is in the details. Get in close and show us the details we usually miss. You don’t need a macro lens to shoot a
Life is in the details. Get in close and show us the details we usually miss. You don’t need a macro lens to shoot a
Minimize the composition to isolate your subject. The composition should be simple, thereby drawing your viewer to the subject. This is probably one of my
I know, I know. Yuck. Selective color can be cringeworthy, however, when done right, it brings compelling focus to the subject. I really like this
Abandoned and Forgotten were favorites in the past. Let’s revisit the idea the idea this year with forsaken. This week was pretty busy for us
By changing the focal length during long exposure you can add movement to your frame, producing leading lines within your frame. This is one my
Fill the frame with your subject, no background. You will need to get up close and personal, or use a good zoom lens. I didn’t
Alternate patterns of light to bring depth and rhythm to the photograph.
Capture an image on your terms; who, what, where, when, why, how … it’s all up to you. Caveat: You must tell us your intent.
Peace. Serenity. Tranquility. Convey a quiet moment. For me, I find the most peace in reading, and the best reading is the Bible. To double
While the camera often determines shutter speed and aperture for the photographer, it doesn’t know your creative intent. This week, challenge your self to assume